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Alexander Scriabin biography 
 

Alexander Scriabin

Artist: Alexander Scriabin 
Born:January 6, 1872, Moscow
Died:April 27, 1915, Moscow
Summary:Alexander Nikolayevich Scriabin was a Russian composer and pianist.
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Etude Op.8 no.1
Prelude in E minor Op.11 no.3
Etude Op.8 no.4
 
 


Alexander Scriabin Biography


Alexander Nikolayevich Scriabin (Алекса́ндр Никола́евич Скря́бин; sometimes transliterated as Skryabin) (January 6, 1872 – April 27, 1915) was a Russian composer and pianist.

Contents

Biography

Scriabin was born in Moscow. He studied the piano from an early age, taking lessons with Nikolay Zverev who was teaching Sergei Rachmaninoff at the same time. He later studied at the Moscow Conservatory with Anton Arensky, Sergey Taneyev, and Safonov. He became a noted pianist despite his small hands with a span of barely over an octave (at one point he actually damaged his hand from practicing pieces which required greater hand spans). Scriabin, previously interested in Nietzsche's ubermensch theory, also became interested in theosophy, and both would influence his music and musical thought. In 1909-1910 he lived in Brussels, becoming interested in Delville's Theosophist movement and continuing his reading of Hélène Blavatsky (Samson 1977). Theosophist and composer Dane Rudhyar wrote that Scriabin was 'the one great pioneer of the new music of a reborn Western civilization, the father of the future musician,' (Rudhyar 1926b, 899) and an antidote to 'the Latin reactionaries and their apostle, Stravinsky' and the 'rule-ordained' music of 'Schoenberg's group.' (Ibid., 900-901).

A hypochondriac his entire life, Scriabin died in Moscow from septicemia. For some time before his death he had planned a multi-media work, to be performed in the Himalayas, that would bring about the armageddon, 'a grandiose religious synthesis of all arts which would herald the birth of a new world' (AMG 1 (http://www.allmusic.com/cg/amg.dll?p=amg&token=ADFEAEE47F1DD94AA97F20C393327BD3B17BCD10DF7CFB9811326A5DD3A13C49840138E253F89593E4BD3CEB3BF4B32FA44509CCC8EE56F8906037388CE4A366285E36&sql=41:7982~T1)). This piece, Mysterium, was never realized.

He was related to Vyacheslav Molotov, the Russian politician and eponym of the Molotov cocktail. Molotov's original surname was Scriabin.

Pianists who have performed Scriabin to critical acclaim include Vladimir Sofronitzky and Vladimir Horowitz.

Music

Style and influences

Many of Scriabin's works are written for the piano; the earliest pieces resemble Frederic Chopin and include music in many forms that Chopin himself employed, such as the etude, the prelude and the mazurka. Later works, however, are strikingly original, employing very unusual harmonies and textures. The development of Scriabin's voice or style can be followed in his ten piano sonatas: the earliest are in a fairly conventional late-Romantic idiom and show the influence of Chopin and Franz Liszt, but the later ones move into new territory, the last five being written with no key signature. Many passages in them can be said to be atonal, though from 1903 through 1908, 'tonal unity was almost imperceptibly replaced by harmonic unity.' (Samson 1977) See: mystic chord.

Aaron Copland praised Scriabin's thematic material as 'truly individual, truly inspired', but criticized Scriabin for putting 'this really new body of feeling into the strait-jacket of the old classical sonata-form, recapitulation and all' calling this 'one of the most extraordinary mistakes in all music.' According to Samson the sonata-form of Sonata No. 5 has some meaning to the work's tonal structure, but in Sonata No. 6 and Sonata No. 7 formal tensions are created by the absence of harmonic contrast and 'between the cumulative momentum of the music, usually achieved by textural rather than harmonic means, and the formal constraints of the tripartite mould.' He also argues that the Poem of Ecstasy and Vers la Flamme 'find a much happier co-operation of 'form' and 'content'' and that later Sonatas such as Sonata No. 9 employ a much more flexible sonata-form. (Samson 1977)

Influence of Color

Though these works are often considered to be influenced by Scriabin's synaesthesia, a condition wherein one experiences stimulus in one sense in response to real stimulus in another sense, it is most likely Alexander Scriabin did not actually experience the physiological condition of synaesthesia. His color system, unlike most synaesthetic experience, lines up with the circle of fifths, indicating that it was a thought-out system influenced by his theosophic readings and based on Sir Isaac Newton's Optics. However, this pioneering use of multimedia also was influenced by Scriabin's theosophical beliefs; specifically, he thought he could bring about the end and rebirth of the world through a grand performance including music, scent, dance, and light that would take place in the Himalayas.

Scriabin wrote only a small number of orchestral works, including a piano concerto (1896), The Poem of Ecstasy (1908) and Prometheus: The Poem of Fire (1910), which includes a part for a 'clavier à lumières' - an implement played like a piano, but which flooded the concert hall with coloured light rather than sound. Few performances of the piece, including the premiere, have included this light element, although a performance in New York City in 1915 projected colours onto a screen.

See also

External links

Wikiquote has a collection of quotations related to:

References

  • Samson, Jim (1977). Music in Transition: A Study of Tonal Expansion and Atonality, 1900-1920. New York: W.W. Norton & Company. ISBN 0393021939.
  • Dane Rudhyar's Vision of American Dissonance (http://articles.findarticles.com/p/articles/mi_m2298/is_2_17/ai_61551810) American Music, Summer, 1999 by Carol J. Oja
    • Rudhyar (1926b).


This biography is published under the GNU Licence






Items to buy by Alexander Scriabin



The Complete Preludes And Etudes For Pianoforte Solo "By Alexander Scriabin (1872-1915). Edited by K.N. Igumnov and Y.I. Mil'shteyn. For solo piano. Piano Collection. Dover Edition. 20th Century. SMP Level 10 (Advanced). Collection. Standard notation, fingerings and introductory text (does not include words

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24 Preludes Op. 11 "(Piano Solo). By Alexander Scriabin (1872-1915). Edited by Valentina Rubcova. For piano solo. Piano (Harpsichord), 2-hands. Henle Music Folios. Pages: V and 46. SMP Level 10 (Advanced). Softcover. 52 pages. G. Henle Verlag #HN484. Published by G. Henle V

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"Prelude And Nocturne For The Left Hand, Op. 9" "By Alexander Scriabin (1872-1915). Edited by Maurice Hinson. For solo piano. Masterworks; Piano Solo; Solo. Alfred Masterwork Edition. Form: Prelude. 20th Century. SMP Level 9 (Advanced). Single piece. Standard notation, fingerings and introductory text

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Complete Piano Sonatas By Alexander Scriabin (1872-1915). For solo piano. Piano Collection. Dover Edition. 20th Century. SMP Level 10 (Advanced). Collection. Glossary of French terms and instructional text (does not include words to the songs). 256 pages. Published by Dover Pub

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"Dvorak, Rimsky-Korsakov and More - Volume V (Flute)" "(Complete Flute and Piccolo Parts to 64 Orchestral Masterworks on CD-ROM). By Alexander Borodin (1833-1887), Alexander Scriabin (1872-1915), Antonin Dvorak (1841-1904), Bedrich Smetana (1824-1884), and Nikolay Andreyevich Rimsky-Korsakov (1844-1908). For

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Scriabin -- Selected Works By Alexander Scriabin (1872-1915). Edited by Murray Baylor. For Piano. Masterworks; Piano Collection. Alfred Masterwork Edition. 20th Century; Masterwork; Romantic. Advanced; Early Advanced; Late Intermediate. Book. 96 pages. Published by Alfred Music Pub

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Piano Sonatas - Centennial Edition (Piano Solo). By Alexander Scriabin (1872-1915). Piano Collection. SMP Level 10 (Advanced). 216 pages. G. Schirmer #LB1992. Published by G. Schirmer

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"Fantasy in B minor, Opus 28" By Alexander Scriabin (1872-1915). For piano solo. Published by International Music Company

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Etudes "By Alexander Scriabin (1872-1915). For solo piano. Masterworks; Piano Collection. Kalmus Edition. Form: Etude. 20th Century. Collection. Standard notation, fingerings and introductory text (does not include words to the songs). 99 pages. Published by Alf

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"Etude In C# Minor, Op. 2, No. 1 - Piano Solo" (Piano Solo). By Alexander Scriabin (1872-1915). Arranged by Louis Oesterle. For solo piano. Piano Solo. 20th Century. SMP Level 10 (Advanced). Single piece. 2 pages. G. Schirmer #ST34559. Published by G. Schirmer

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"Piano Sonata No. 9, Op. 68" By Alexander Scriabin (1872-1915). Edited by Valentina Rubcova. Henle Music Folios. Softcover. 24 pages. G. Henle Verlag #HN855. Published by G. Henle Verlag

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Etude in D-Sharp minor By Alexander Scriabin (1872-1915). Edited by Murray Baylor. For Piano. Masterworks; Piano Solo; Solo. Alfred Masterwork Edition. Form: Etude. 20th Century; Masterwork; Romantic. Advanced. Sheet. 8 pages. Published by Alfred Music Publishing

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"Sonata No. 2 (Fantasy) in G sharp minor, Opus 19" By Alexander Scriabin (1872-1915). For piano solo. Published by International Music Company

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"Dvorak, Rimsky-Korsakov and More - Volume 5" "(The Orchestra Musician's CD-ROM Library - Full Scores on DVD-ROM). By Alexander Borodin (1833-1887), Alexander Scriabin (1872-1915), Antoní_n Dvoríçk, Bedrich Smetana (1824-1884), and Nikolay Andreyevich Rimsky-Korsakov (1844-1908). Score. CD Sheet Musi

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"Sonata No. 4, Op. 30" By Alexander Scriabin (1872-1915). For piano solo. Sonatas; Original Works. Impressionist; Russian. Score. Composed 1903. Published by Masters Music Publications Inc.

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Romance "By Alexander Scriabin (1872-1915). Arranged by Edmond Leloir. For Horn, Piano. Standard notation. Published by Gerard Billaudot Editeur"

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"Piano Concerto, Op. 20" "By Alexander Scriabin (1872-1915). For Piano. This edition: 2 copies required. Duet or Duo; Masterworks; Piano Duo (2 Pianos, 4 Hands). Kalmus Edition. Form: Concerto. 20th Century; Masterwork; Romantic. Advanced. Book. 60 pages. Published by Alfred Musi

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"Etude, Opus 8, No. 11" By Alexander Scriabin (1872-1915). Edited by Gregor Piatigorsky. For cello and piano. Published by International Music Company

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"Twelve Etudes, Op. 8 (PHILIPP)" By Alexander Scriabin (1872-1915). Edited by Isidor Philipp. For piano solo. Published by International Music Company

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Keyboard Essentials - A Collection of Easier Works (Piano Solo). By Alexander Scriabin (1872-1915). Piano Solo. SMP Level 8 (Early Advanced). 92 pages. G. Schirmer #LB2012. Published by G. Schirmer

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