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AKG Perception 200 Studio Condenser Microphone




AKG Perception 200 Studio Condenser Microphone

AKG Perception 200 Studio Condenser Microphone

AKG Perception 200 Studio Condenser Microphone

Ground-breaking, high-quality AKG large-diaphragm recording microphones have defined the international studio standard for decades. The new Perception 100 and Perception 200 microphones are based on AKG?s nearly 6 decades of experience and from input provided by sound engineers around the world that use AKG products every day.

Your price : $ see website




Item Code: AKGPERCEPTION200



AKG Perception 200 Studio Condenser Microphone Reviews

AKG Perception 200 Studio Condenser Microphone Sample Review

Feature:
Featured well beyond the limits of this price range. Pad and Roll Off are effective without sacraiicing clarity.

Quality:
It is a true AKG, in spite of the Price!

Value:
While a different Timbre, the RODE NT1-A is the only thing that comes close. The AKG fits my vocal color better than the RODE, but that is purely a personal situation/quality.

Sound:
Two Qualifiers: It's Great once you get to Know it. It is a Large Diaphram, so the Highs are soft, by definition. That's what you need to know. Performance depends on placement, capture settings, and as with all Large Diaphram Condensers, a Mic Pre (minimum: the Pre Sonus BlueTube, or higher) if you want to contour the sound quality. Two: It's performance is worth five times the price. Clearly, they are giving these away to get you to know the AKG line (Well worth knowing, in my opinion, per the 414, etc.).

Overall:
At this budget level, it is a marvel. I have the RODE NT1-A, as well, for home recording, and will soon add an AKG small condenser cardioid and, likeky a 414. Best is its flexibility of contour with a good Mic Pre up front, however, it pattern is fairly broad and not very sensitive to proximity differentiations, hard to get "intimate" with. However, a dampened room solves all that, pretty well. Takes a bit of boost from the Pre to make it jump, however.

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