Humorous Music for Piano

Humorous Music for Piano

A collection of humorous pieces for Piano solo. Easy to Advanced Level

1.   La Cucaracha (Mexico)

Trad.


"La Cucaracha" (Spanish: "The Cockroach") is a traditional Spanish folk corrido that became popular in Mexico during the Mexican Revolution. It tells the story of a cockroach that is unable to walk. It is one of the most familiar melodies of Spanish origin, popularised in versions by numerous singers and through appearances in movies such as "A Bug's Life" and "Cars 2."



La Cucaracha (Mexico)


2.   Dvorak  -  Humoresque Op.101 no.7

Dvorak, Antonin


Dvořák's Op. 101 Humoresques (literally a pluralised form of "Humorous") is a collection of 8 works for piano. The seventh is one of the most famous of all piano works. In the US its humorous nature was reinforced though its use as a setting for humorous verses regarding passenger train toilets, with the words "Passengers will please refrain from flushing toilets while the train is standing still within the stationhouse."



Humoresque Op.101 no.7


3.   Fucik  -  Entry of the Gladiators

Fucik, Julius


"Entry of the Gladiators" is a military march composed in 1897 by the Czech composer Julius Fučík. He originally titled it "Grande Marche Chromatique," reflecting the use of chromatic scales throughout the piece, but changed the title based on his personal interest in the Roman Empire.

In 1910 Canadian composer Louis-Philippe Laurendeau arranged "Entrance of the Gladiators" for a small band under the title "Thunder and Blazes" and sold this version throughout North America. It was during this period that the song gained lasting popularity as a screamer march for circuses, often used to introduce clowns. Today it is known mainly by this association, even though the title and composer are relatively obscure. Laurendeau's version was also transcribed for fairground organs.



Entry of the Gladiators


4.   Saint-Saens  -  The Elephant

Saint-Saens, Camille


"The Elephant" is the fifth movement from Saint-Saens beloved suite "Carnival of the Animals." Marked "Allegro pomposo", it uses the double bass, one of the lowest-sounding members of the orchestra, to characterise the lumbering heft of the pachyderm. There is also a double joke—the theme is taken from works by Mendelssohn and Berlioz, in their original form written for lighter instruments (flutes, violins etc.), emphasising the comical effect in their transference to the larger instrument.



The Elephant


5.   Strauss II  -  Pizzicato Polka

Strauss II,Johann


The Pizzicato Polka is a piece of orchestral music by Johann Strauss II published in 1870. Strauss composed it with his brother Josef in 1869 for a trip to Imperial Russia. The polka was written for string orchestra and glockenspiel. It was hugely popular, especially in Italy, where it was included on every program Strauss played there. The piece consists of four melodies and the work is arranged in ternary form (A-B-A). As the title suggests, the piece is scored for plucked strings.



Pizzicato Polka


6.   Mozart  -  Theme from A Musical Joke K.522

Mozart, Wolfgang Amadeus


Mozart's "A Musical Joke" K.522 is a divertimento for two horns and string quartets written in 1787. The music is intentionally written to be funny, being liberally sprinkled with obtrusively clumsy, mechanical and over-repetitive composition, together with passages evidently designed to mimic the effects of inaccurate notation and inept performance. In the UK the music was well-known for its use in the BBC's "Horse of the Year" programme.



Theme from A Musical Joke K.522


7.   Grieg  -  Lyric Suite, Op. 71, No. 3, Puck

Grieg, Edvard


Grieg wrote 10 volumes of Lyric Pieces (sometimes also referred to as "Lyric Suites"), short and often descriptive works for solo piano. The delightful "Puck" is the third piece in the last collection, written in 1901. It is a musical depiction of the folkloric character "Puck," a sprite, demon or fairy known to be a trickster and prankster.



Lyric Suite, Op. 71, No. 3, Puck


8.   Sullivan  -  Three Little Maids (from the Mikado)

Sullivan, Arthur


"The Mikado," a comic opera in two acts, was the ninth operatic collaboration between librettist W.S. Gilbert and composer Arthur Sullivan. It is one of the most popular music theatre works written, running for 672 performances from its opening in 1885 at the Savoy Theatre and widely performed to this day. Perhaps the most beloved number in the work is the first act comic trio "Three Little Maids," ironic given that it was nearly cut from the original production, the cast successfully begging for it to be reinstated.



Three Little Maids (from the Mikado)


9.   Rossini  -  Miau, Miau, Miau - Duetto Buffo di due Gatti (Comic Due...
(8notes PREMIUM)

Rossini, Giacchino


The "Duetto buffo di due gatti" ("Humorous duet for two cats") is a popular performance piece for two sopranos which is often performed as a concert encore. The "lyrics" consist entirely of the repeated word "miau" ("meow"). Sometimes it is also performed by a soprano and a tenor, or a soprano and a bass.

While the piece is typically attributed to Gioachino Rossini, it was not actually written by him, but is instead a compilation written in 1825 that draws principally on his 1816 opera, Otello. Hubert Hunt putatively claims that the compiler was Robert Lucas de Pearsall, who for this purpose adopted the pseudonym "G. Berthold".



Miau, Miau, Miau - Duetto Buffo di due Gatti (Comic Due...
(8notes PREMIUM)


10.   Sousa  -  Liberty Bell
(8notes PREMIUM)

Sousa, John Philip


One of the most popular marches from the 'Pied Piper of Patriotism', this piece apparently earned the composer over $40,000 in the first seven years after publication. It was famously used as the title music for Monty Python's Flying Circus.



Liberty Bell
(8notes PREMIUM)


11.   Sullivan  -  The Very Model of a Modern Major General
(8notes PREMIUM)

Sullivan, Arthur


"I Am the Very Model of a Modern Major-General" (often referred to as the "Major-General's Song" or "Modern Major-General's Song") is a patter song from Gilbert and Sullivan's 1879 comic opera The Pirates of Penzance. It is sung by Major-General Stanley at his first entrance, towards the end of Act I. The song satirises the idea of the "modern" educated British Army officer of the latter 19th century. It is one of the most difficult patter songs to perform, due to the fast pace and tongue-twisting nature of the lyrics.



The Very Model of a Modern Major General
(8notes PREMIUM)












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