A question about phrasing and bowing.

    
A question about phrasing and bowing.    11:52 on Monday, February 2, 2009          

rebelrob
(26 points)
Posted by rebelrob

Generally, when is it justified to play a string of notes and only use one down or up bow?
Example: Say the music wants you to play, b (quarter note),c (quarter note), and d(half note) to be played as a phase . Would I play those 3 notes using one bow action? How do I choose what notes get a full bow and what string of notes get a full bow?


Re: A question about phrasing and bowing.    09:24 on Monday, February 16, 2009          

Charisma
(21 points)
Posted by Charisma

That depends, usually, you don't get a full bow on a quarter not, unless the timing is too slow. half not can be a full if its on its original time value but if its a two-two time signature, i think thats a bit too fast for a full bow. Now, for phrasing, thats a whole different topic.


Re: A question about phrasing and bowing.    09:27 on Monday, February 16, 2009          

Charisma
(21 points)
Posted by Charisma

you said---Example: Say the music wants you to play, b (quarter note),c (quarter note), and d(half note) to be played as a phase . Would I play those 3 notes using one bow action? Yes, you have to play it in one full bow.


Re: A question about phrasing and bowing.    10:39 on Monday, February 16, 2009          

rebelrob
(26 points)
Posted by rebelrob

Thank you Charisma, for your answer. I need to learn all I can about bowing while playing phrasing. What if I had a string of 16ths notes and there was not any phrase markers. How would I know when to phrase? Inotherwords, how would I know how many notes to play using one bow action?
By the way, I read your profile (about me) and while I have a starter violin, I feel the same way as you do about my love relationships with the violin.


Re: A question about phrasing and bowing.    04:50 on Tuesday, February 17, 2009          

Charisma
(21 points)
Posted by Charisma

That's simple. a string of 16th notes is usually played one bow each note, that is, the faster the notes, the shorter the bow, the more pressure on the strings and more wrist action. you would only play a series of notes into a phrase (one full bow action) IF you see a rainbow-like line from the the first note (starting point of the rainbow) to the last note (where the rainbow ends). if you have any further questions, feel free to ask. I'll answer if I can.


Re: A question about phrasing and bowing.    12:50 on Tuesday, February 17, 2009          

rebelrob
(26 points)
Posted by rebelrob

Thank you again Charisma, for your reply. I do not have a violin teacher, and I am learning to play on my own. I am looking for a violin piece that has phrasing markings. Can you suggest something?


Re: A question about phrasing and bowing.    13:22 on Tuesday, February 17, 2009          

Charisma
(21 points)
Posted by Charisma

Try looking at Ave Maria: Gounod!


Re: A question about phrasing and bowing.    13:25 on Tuesday, February 17, 2009          

Charisma
(21 points)
Posted by Charisma

Also try Air on G String by Bach its full of phrasing!!! Enjoy learning!


Re: A question about phrasing and bowing.    13:29 on Tuesday, February 17, 2009          

rebelrob
(26 points)
Posted by rebelrob

Charisma thanks, I will check it out.


Re: A question about phrasing and bowing.    20:04 on Thursday, March 26, 2009          

mrviolin
(10 points)
Posted by mrviolin

It all depends on what ganre classical music it is. Wether it medieval, baroque, romantic, etc.

Hope I helped,

mrviolin


Re: A question about phrasing and bowing.    20:19 on Thursday, March 26, 2009          

rebelrob
(26 points)
Posted by rebelrob

Yea, that does help. Thank you Mrviolin


   




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