What guitar, amp, and pedals you use. What additions are you pondering. Please stay within reality, no dreaming up the perfect set up.

I for one have no money to spend on nice set up's, so this is mine.

-Epiphone SG Standard
-B-52 Half Stack
-Dunlop Wah-Wah

The guitar is falling apart due to heavy abuse, and my Wah-Wah only works once in a while, but I absolutely LOVE my amp. It's my baby.

I gotta heavy metal setup...

-Jackson Dinky (2 humbuckers)
-Roland Cube 20x plugged into Vox Valvetronix 50 watt
-Zoom G2.1u multi-effects pedal

Guitar: Mexi-Strat
Amp: Vox AD30VT
Effects: Vox Crybaby

I'm currently scrounging the money for a PRS SE Custom, it's great value. I can't tell you how many times I've been kicked out of the store for playing it, perfect sustain.

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Dunlop Crybaby, I don't know how Vox got there.

- Peavey Wolfgang Guitar
- Boss TU-2 Tuner, Boss DD-6 Delay, Sniper modded Boss EQ-7 Graphic Equalizer, and Ernie Ball Volume Pedal.
- Engl Fireball amp, and 4x12 Engl Standard Cab.
- Fender HotRod Deluxe (for softer pieces).

Most common usage is '73 Tele through a Marshall AVT 150 amp. The amp is a little overpowered for most work, so I'm currently looking at 50w amps. For Accoustic, I have a Takamine EGSC through a Marshall AS50R amp, which sounds great. For Jazz, I use an Epiphone Emperor through the AVT (it sounds a bit wishy-washy through the AS50R). The AVT has 4 channels, so you can get a variety of clean/overdrive sounds, together with effects, but the clean channel with a just a touch of reverb is undoubtedly the most useful and appealing.

I don't go much on pedals - I use a Boss TU-2 tuner always and, occasionally a BOSS CS-2 compressor. I also have a Dunlop Cry Baby Wah, used as required and a Seymour Duncan booster, which is helpful for lead breaks on the clean channel of the AVT. The other pedal I use is an A/B switch for when I'm using two guitars through the same amp (the Tak sounds fine through the AVT clean channel).

Having said all that, I've recently acquired a Line 6 POD XT Live floorset and this can be routed straight into a desk, so the amps can be dispensed with altogether providing I can get decent monitoring. This is useful for gigs where we're running through a large desk, studio work and orchestra pit work. The quality is actually very good, I think.

Hope this helps

Berni